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squeequegReread the novel last night. It's not bad. There are some lumpy bits, some places where I wasn't watching what I'd changed, and Chapter 1 needs a better punch, which I think I may have figured out. But overall it's a good read. I think I can shine it up nice and pretty.
I'm encountering a mild marketing dilemma, though. At the moment I have a three-page prologue that takes place the night before Chapter 1 (Those of you who've read this already, the draft has changed considerably). It involves a phone call from a dead man, which will prove to be the catalyst for the rest of the story.
Now from what I've heard about trying to market a novel, either to agents or publishers, prologues are not good. Elmore Leonard's rules for writing say to chop off the prologue, and I've talked to a few people who claim to be allergic to prologues. (My words, not theirs.) I've also heard that agents or editors don't tend to look favorably on prologues. But I think much of this concerns prologues that are backstory, and this isn't really backstory.
So how do I handle this? I don't want to ditch the phone call, so I'm still starting the story there. Do I integrate it into Chapter 1 and lose the nice little end-of-chapter punch I'd had? Do I call the prologue Chapter 1 and renumber the rest? (Though if I do that, the first gunshot doesn't come till Chapter 4; it's currently in Chapter 3.) Or do I just leave it as a prologue and damn the torpedoes?
I'm encountering a mild marketing dilemma, though. At the moment I have a three-page prologue that takes place the night before Chapter 1 (Those of you who've read this already, the draft has changed considerably). It involves a phone call from a dead man, which will prove to be the catalyst for the rest of the story.
Now from what I've heard about trying to market a novel, either to agents or publishers, prologues are not good. Elmore Leonard's rules for writing say to chop off the prologue, and I've talked to a few people who claim to be allergic to prologues. (My words, not theirs.) I've also heard that agents or editors don't tend to look favorably on prologues. But I think much of this concerns prologues that are backstory, and this isn't really backstory.
So how do I handle this? I don't want to ditch the phone call, so I'm still starting the story there. Do I integrate it into Chapter 1 and lose the nice little end-of-chapter punch I'd had? Do I call the prologue Chapter 1 and renumber the rest? (Though if I do that, the first gunshot doesn't come till Chapter 4; it's currently in Chapter 3.) Or do I just leave it as a prologue and damn the torpedoes?
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Date: 2005-11-13 05:49 pm (UTC)no subject
Date: 2005-11-13 06:31 pm (UTC)Then again, I could just step up the other chapters a bit. Hmmm.